Let me tell you about three ceramic studios that I am totally inspired by and guarantee you will be too. Elizabeth Bell Ceramics is located at the Fyansford Paper Mills in Victoria. Home Thrown by Jenni Evans is a hidden gem and the most magical space in Adelaide. Take a class at Ceramics by Viv or visit when she has an open studio, you will be so glad you did.
Leah shares the work behind her first public art mural in Geelong, Victoria. This mural marks a major milestone in 2025, commissioned by the City of Greater Geelong, and serves as a creative landmark for the local community. Learn about the challenges of working with unique architectural features, the collaboration with local council, and the importance of this space for youth to connect, thrive, and access essential services.
An Adelaide family contacted me to install 3 murals in their home that is being completed renovated. This family loves colour and was a dream to work with.
Let me take you on a street art tour of Prospect and the Adelaide CBD. Discover what defines street art, how the art form has changed and evolved, the difference between graffiti and work in a gallery and how large-scale murals can delight and surprise the audience.
Let me tell you about three ceramic studios that I am totally inspired by and guarantee you will be too. Elizabeth Bell Ceramics is located at the Fyansford Paper Mills in Victoria. Home Thrown by Jenni Evans is a hidden gem and the most magical space in Adelaide. Take a class at Ceramics by Viv or visit when she has an open studio, you will be so glad you did.
Holding clay is magical. It’s calming and exciting at the same time. It connects you with the earth. The feeling of holding clay, the weight of it in your hands, the coolness and malleability of its texture somehow connects my soul with my creative spirit. It makes me slow down, feel more present and grounded. Up until recently I haven’t shared my clay interest or skills as an art from. I kept it hidden, like a secret that was precious, just for me to indulge in.
